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(en) Italy, FDCA, Cantiere #25 - Gianni Bosio and Mario Lodi - Acquanegra sul Chiese, 5 November 2023 on the centenary of Bosio's birth (ca, de, it, pt, tr)[machine translation]

Date Tue, 21 May 2024 08:11:06 +0300


In addition to Acquanegra sul Chiese, where Bosio was born and lived, I believe there is only one other center in which his influence operated in such a profound way that it continues today, over fifty years after his death, to initiate initiatives and stimulate reflection on the past and current events. I'm referring to Piadena. ---- The beginning of the relationship between Bosio and Piadena coincides with that between the intellectual from Mantua and Mario Lodi and can be traced back to a very specific date: 20 June 1959. It is on that day, in fact, that Lodi writes a letter to Bosio, director of Edizioni Avanti!, to propose the publication of Cipì. The letter is proof that the two did not know each other personally, despite their common membership of the Socialist Party and the closeness between Piadena and Acquanegra.
Bosio's response was not long in coming. Three days later, he said he was available to discuss it on the occasion of his imminent trip to Acquanegra.
The two met and Lodi spoke to him about Cipì and about a diary in which he was collecting his teaching experiences, but also about the first "notebooks" of the Biblioteca Popolare di Piadena founded by Lodi in 1945, a few months after the Liberation, as part of of the reconstituted consumer cooperative.
Bosio had immediately understood the value of that "true" fairy tale written by Lodi together with his students and of the revolutionary scholastic experience underway in the small school of Vho, but certainly what had struck him most was discovering that that teacher from Piadena was not a isolated, that around him operated a group engaged in an original and lively work of research and basic cultural production from within the working and peasant class. A work that made use of oral sources, the tape recorder, photography and the camera; a set of activities that started from the recognition of the dignity and value of the "other" culture, the one expressed by the subordinate classes.
A close correspondence and frequent contact began between Bosio and Lodi.
In 1956 the left-wing list was defeated in the Piaden municipal elections, due to divisions within the Communist Party. It was a traumatic event, which was barely overcome thanks to work on a cultural level focused on the activities of the Popular Library and in particular on the publication of the first notebooks.
In the introduction to I quaderni di Piadena, published in 1962 by Edizioni Avanti!, edited by Lodi and Morandi, a book which collected six of the first notebooks of the People's Library and which was seized by the authorities for contents deemed obscene, Mario Lodi wrote:
"[...]If the first notebooks coincided with the effort of the workers' movement to find itself and escape from a state of prostration, from now on they will have to be affected by the new role of the working class in the small country, in which it has today managerial tasks, and in the largest country called Italy. To new perspectives, therefore, to different, more in-depth work: to new tasks, new means, which contribute to making the people aware, through an education to be achieved on their own, of their role as protagonists of history."
In the short passage I have just read, I underline the passage in which it is said that the people must become aware of their role, "through an education to be achieved on their own". Lodi certainly did not mean outside or against workers' parties and organizations, but that "alone" somehow tended to reduce their role while accentuating the weight and value of the autonomous pressures coming from the base.
At the end of the 1950s, Lodi, and with him the group of young people from the Biblioteca Popolare, among whom Giuseppe Morandi was beginning to stand out, was already fully aware both of the extraordinary experiences gained in the Piadeno laboratory and of the profound transformations taking place, at the same time consequence and cause of the economic boom, which in the space of a few years would inexorably lead to the end of the culture of the peasant world.
The announcement to his collaborators about the intention to create the children's book series was given by Bosio in a meeting held at Edizioni Avanti on 5 January 1961.
The first organizational meeting was held in Piadena on 11 June 1961 at the Biblioteca Popolare.

In that meeting Lodi clearly said that it was now time to move from a position of criticism towards the tendentious, historically inaccurate or even falsifying production of bourgeois publishing for children, to the production of cultural tools which, with new contents, spoke an adherent language to the psychology of the child and stimulated him to think with his own head and to form a critical habit.
Most of the manuscripts were based on the concept of the child-doll without problems or reasoning, a creature to be amused with the silliest words.
The coordination of the series, which it was decided to call "Universale Ragazzi", was entrusted to Lodi who had a very clear idea of what objectives should be set, as emerges from this speech: "publishing should be called popular not only for the low prices of books, but for the power of penetration and ideological education that they contain.[...]the function of Edizioni Avanti! it should be to relaunch the ideological and class principles of socialism on all levels, starting with children and gradually up to the university and research level."
The need to further reduce costs soon led to the Series being put to an end. With its closure, Lodi's collaboration ceased, "also for health reasons".
In the two years of life of the "Universale Ragazzi", only six titles were published, but in the flat panorama of literature of the early Sixties, these were proposals that clearly broke with tradition and had a strong non-conformist and provocative charge, even for certain areas of left: just think of How children are born, a sexual education booklet for children according to a secular and modern approach, but also of The little soldier of the pim pum pà, a sort of short story, written by Lodi.
The stimuli offered by Lodi and the influence exerted by Bosio during his frequent visits to Piadena opened up new avenues of work and new horizons to the group that revolved around the Biblioteca Popolare and the Quaderni. And it was precisely as a consequence of the birth of the Nuovo Canzoniere that the idea of establishing a popular singing group took shape in Piadena. It was Sergio Lodi who took the initiative by gathering around him Bruno Fontanella and, later, Delio Chitò and Amedeo Merli. The "Gruppo Padano di Piadena", this is the name of the new formation, after an initial phase of re-proposing the songs recorded in the "Dischi del sole", began, stimulated by the work of Bosio and Leydi, an intense field research work which Mario Lodi also actively contributed.
The Group participated in the Festival dei Due Mondi in Spoleto in the performance of the Nuovo Canzoniere Bella Ciao which triggered, as is known, the angry reaction of the military, bourgeois and right-thinking people, followed by complaints and parliamentary questions.
In the first months of '67 different points of view on cultural and political action began to appear within the Biblioteca Popolare.
Shortly afterwards, on 14 April, Morandi and Gianfranco Azzali (Micio) gave life to the Cultural League, in the wake of what had already happened in Acquanegra in September of the previous year with the birth of the Cultural League. It was the second separation from the Biblioteca Popolare after the choice of Delio Chitò and Amedeo Merli, early exponents of the Padano Group, to embark on a professional career with the name of "Duo di Piadena".
The birth of the League was preceded, accompanied and followed by tensions, discussions and exchanges of letters.
Relations between the League of Culture and Lodi gradually became colder until they reached open conflict with no holds barred and with a consequent impact on the relations between Lodi and Bosio which became increasingly sporadic.
We know well about Bosio's political formation, his internal positioning with his membership of Lelio Basso's left and the action taken to orient the political line of the Party. And we know well, also thanks to his work as a historian, what idea of socialism he was inspired by: a libertarian, non-dogmatic socialism, with a marked adherence to basic struggles and demands.
And what do we know about Lodi's socialism, which left very few writings on the subject?
He was the son of a socialist, who had also been a cooperator and administrator of the Municipality of Vho, included, during fascism, among the subversives. Following in his father's footsteps, Mario joined the PSI, then Psiup, in 1946. He left it in 1965, following his adhesion, not shared by the Party, to the antimilitarist manifesto, the definitive text of which was written by Lodi himself, posted on the occasion of the passage of the Bersagliere Monument from Piadena to celebrate the 50th anniversary of Italy's entry into the war.

His political activity took place entirely within the Piadenese section, without ever holding positions at provincial level. On behalf of the Party he ran 5 times, out of 8 in total, in the municipal elections, always being elected and holding the position of councilor several times; he was section secretary, participated in meetings and gatherings, wrote and spoke publicly. We also know that during the 1964 elections the Party would have wanted him to be elected mayor.
After leaving the PSI, Lodi joined the MAS, or MDSA (Movement of Autonomous Socialists), the small group that broke away from the Lombard left when unification with the Social Democrats was decided. As a member of the MAS he ran for the Chamber in the 1968 political elections on the PCI list and in the 1970 administrative elections.
His was a socialism of a humanitarian and libertarian nature, tinged with romanticism and a strong ethical motivation from which the influence of his mother's humble and simple religiosity was probably not unrelated. Certainly, he was far from a dogmatically Marxist vision and a Leninist conception of the Party, with respect to which he always maintained broad autonomy of judgment and choice.
Within the Party he recognized himself in the positions of the left current and the unity of workers and class forces was what was closest to his heart.
This is enough to be able to state that Lodi and Bosio had an idea of socialism with many affinities.
But there are other aspects, not secondary, in which it is possible to trace strong common features. One of these is the theme of participation and the relationship with power.
For Lodi it was essential to stimulate and encourage the direct participation of citizens and workers in every area, a participation that reached its peak in the first half of the seventies, with the decision-making Popular Assembly, an institution he proposed, desired and supported with all his energies and which ended only after the PCI believed that that experience represented an obstacle to the implementation of the policy of historical compromise.
Lodi proposes to the left-wing coalition to present itself in the municipal elections of 7 June[1970]with the proposal to establish the popular assembly. In the electoral leaflet distributed to citizens, the proposal is motivated with a writing, certainly attributable to Lodi, which says: "Piadenesi, in recent years new ideas from workers and students have circulated around the way of being free and managing the power. As far as the Municipality is concerned, old concepts have gone into crisis.
For example, it was understood that calling citizens every five years to elect twenty men to represent them, even if these were chosen by local political parties, is not participation in public affairs, it is not real democracy. In fact, limiting ourselves to delegating others to administer for us is essentially an act of renouncing an interest in the problems that arise day by day in the small country as well as in the larger reality that is Italy.
The whole life of our society is practically based on delegation, upon receipt of which those elected can even govern against the interests of the same citizens who voted for them. The demonstration is that the majority of citizens are workers but governments have until now made laws in favor of the bosses.
Even in small countries, where power is limited, elected representatives sometimes behave as if they had been called to command, while they should "serve" the base, that is, interpret the needs and will of the citizens and decide after having consulted the population on every underlying problem.
Thus it can happen that the councilors feel like small masters in the context of small power and the mayor becomes the tactician who keeps the group of small masters in a precarious balance.
[...]The Municipality must be at the service of the citizen who has the right-duty to control and direct it for his purposes. The assembly open to all is the means by which the citizen will intervene directly in the management of the Municipality."
It is surprising how Nenni, the elderly socialist leader, in his youth a libertarian agitator and protagonist of the "Red Week" in 1914, Bosio, attracted in his studies by the first anarchist and socialist organizations, and Lodi, refractory to any form of delegation and critical of the superposition of the parties on the citizens, remain linked by the same reading of the struggles of the late 1960s and by the same idea of direct participation, beyond the profound gaps created between them due to the political choices made by each of them.

Due to its radical nature, intensity and duration, the Piadena People's Assembly represents to date the most advanced experiment in direct democracy carried out in Italy.
On the idea that Lodi had of parties and their role, an interview from 1978 is interesting, in which, reflecting on the causes that had determined the end of the experience of the decision-making Popular Assembly, he stated:
"a) It was not possible to have the method of the popular assembly with decision-making power in the Municipality and, at the same time, still have a hierarchical structure within the parties.
b) In a broader picture, the historical compromise would lead to an encounter with forces that would not accept it. Therefore in this difficult and delicate situation everything is at a standstill and there is a tendency for those in charge to make top-level agreements instead of discussing everything at the base."
The cultural and political ferment that has characterized the Piadeno microcosm for decades was largely the result of the happy meeting between these two great personalities.
For Piadena we could speak of a true epic. In a town of not even 4,000 inhabitants, over the course of forty years or so, cooperatives have flourished (in the 1950s the Piadena consumer cooperative had 8 shops in the town), groups and cultural centres, the list of which is very long . Since the Liberation, hundreds and hundreds of leaflets, posters, newspapers, notebooks, publications, films, exhibitions, shows and sound recordings have been produced. Consider that the League of Culture leaflets alone, collected and published, form two substantial volumes. The number of meetings and initiatives of all kinds was impressive, which saw the participation of famous intellectuals, directors, musicians, actors, journalists, writers, artists and politicians. Piadena has been talked about in books, magazines, films, conferences and television reports, to the point that some have begun to consider it a sort of mythical place.
Well, all that excitement has long since died out, erased by the desertification, not only metaphorical, which has hit the country of Italy and which has not spared this plain land which also seemed to have firm and deep roots in the struggles and first organizations of the proletariat peasant and worker developed from the mid-nineteenth century.

-Mario Lodi
Piadena, 17 February 1922 Drizzona, 2 March 2014 was an Italian teacher, pedagogist and writer.
His educational methodologies were initially inspired by those of Célestin Freinet, following a direction that made him become an exponent of the Educational Cooperation Movement. (On the MCE see "History of the Educational Cooperation Movement" in "il CANTIERE" n.16 April 2023, page 28)
Gianni Bosio
Acquanegra on the Chiese,
October 20, 1923
Mantua, August 21, 1971
he was an Italian historian, publisher and editorial curator, music researcher and exponent of the Italian Socialist Party.

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