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(en) Italy, Sicilia Libertaria: Palermo. The Last Generation initiative to defend water - Gesualdo Busacca (ca, de, it, pt, tr)[machine translation]

Date Tue, 11 Jun 2024 08:18:01 +0300


I sink onto the couch of what I call home, even though I no longer know what it means to be home. At times I think it means a sort of sense of normality that I have almost completely lost. What does it mean to be at home in such an absurd world? Is there really a safe place where collapse doesn't come? What has happened to me in the last few weeks proves it. I collapse on the couch and I'm sleepy and tired. And incredulous.
On March 29th I was walking at Cala, in Palermo, in the direction of the Trapezoidal Pier. I was with three other people. We would go and do nonviolent direct action that was supposed to look like a performance. We would have mimed daily life actions in the largest pool with dancing fountains in Italy. 5000 square meters of tank to contain 5 million liters of fresh water, as well as speakers, lights and self-propelled jets. Surrounded by luxury shops and "food and wine excellence", to welcome cruise passengers and yacht owners.

After the plainclothes Digos agents stopped us and asked us to open our backpacks, and searched every pocket of our backpacks containing empty bottles, dishes and clothes to wash, we remained there, sitting on the pier, surrounded by about ten agents in feet. People passed by, glanced at us and then went on their way, enjoying their walk. The policemen escorted us with indifferent looks.

- Why are you searching us?

- We suspect you have weapons or explosives.

- Weapons or explosives? Don't you know that we are a nonviolent movement? You knew exactly that we were coming here; you have been following our every move for months, but didn't you know that we have never brought with us anything that could hurt us, not even if we swallowed it?

No reaction. Eyes lost in space, like those of almost all the passers-by. What are they really thinking? They have certainly perfected the art of masking emotions over the years, like all the males of this earth. But is it possible that they don't feel anything? If there is anything that can drive me crazy, I think, it will be this. Madness as an extreme disappointment from mankind. Irredeemable.

I decide not to cooperate.

- Mr Busacca, should we call an ambulance to make you talk?

Twenty minutes pass. Half an hour. Three quarters of an hour. We are still sitting on the platform while people pass by without stopping, a dozen policemen with their eyes lost in a colossal solitude surround us; three of them fill out papers on two garbage cans. I'm starting to feel cold in my feet. Darkness falls and the fountain begins to dance, with its very high sprays dispersing in a cloud of humidity. The pink lights swing to the music of Beyoncé and Andrea Bocelli.

An hour and a half. An hour and three quarters. Empty bottles and cans are scattered around us, collapsed on banners. We don't want to talk anymore. After about two hours, they give us the documents back. And the complaints: unannounced demonstration (and which did not take place!) and failure to comply with the authorities' provisions.

We can go. As we approach the mall, the circle of agents turns into a semicircle following us. When we approach the pool, the semicircle closes into a circle, even narrower than before.

- Mr Busacca, are you perhaps trying to make fun of us?
- I'm sorry you think that, officer. I have no intention of making fun of her. Am I not free to go for a walk?
-You are not free to do what you plan to do.
- What a curious idea of freedom. Am I not free to take a completely harmless action and face the consequences?
- Not tonight.

Three days later, we decide to try again. Our tenacity is a survival instinct, we tell ourselves. As we head towards the pool, trembling and anxious, a huge cruise ship looms in front of us, covering Monte Pellegrino. All clear this time. We enter the water, open the banner, wash dishes, glasses and laundry. A scene that already seems familiar. Almost a clear memory of a near future.

There are many people on the steps of the Trapezoidal Pier. Sitting at the bar tables or on the steps by the pool, soaking up the sun. There is also a very young boy, sitting alone, who looks at me with a different look.

- How do you feel? I ask him from the fountain basin. He thinks about it for a moment.
- I feel sad.
- I understand you, I feel sad sometimes too. Do you feel anything else when you think about what lies ahead?
- Mainly this. Sadness.

How much sadness we carry inside us and we are unable to share it. Often not even able to express it. I don't remember ever saying "I feel sad" to a person I just met.

Even an agent looks at me with a look that seems to open up to something. I want to follow this path too, greedy as I am for human contact. Isn't this why I find myself in my underwear in a fountain, with a banner, tanks to fill, clothes and dishes to wash? Yes, that's why. To communicate with people in a way that is usually closed to us. I want to pierce the indifference of everyday life to be able to empathize with people I don't know.

- And what do you think, officer?

We stare at each other for about ten very long seconds. Maybe even more. He doesn't answer, but I read an imperceptible crease in his gaze, like a slight inclination. You're telling me something you don't want to say. This won't be the case, a couple of hours later, at the police station. The magic will have passed, and he will go back to chatting with colleagues and typing on his cell phone, as in a normal day as a guard.

Gesualdo Busacca

https://www.sicilialibertaria.it/
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