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(en) France, UCL AL #345 - Culture, Reading Jacques Tardi, 20 years old in May 1871 (ca, de, fr, it, pt, tr)[machine translation]

Date Thu, 22 Feb 2024 07:16:19 +0200


A beautiful summary of black humor in homage to the Communards. A comic without bubbles, but very sparkling. All the art of suggestion by Jacques Tardi! ---- We opted for the blackbird, but these crows have beaks! A winged hourglass, held by a smiling reaper, mocking crows... But where are we? ---- At Père-Lachaise, not this site that millions of tourists visit every year, but these places that Jacques Tardi knows very well. Many times he visited this Père Lachaise with his pen, during his drawings in the company of his fanciful characters from the burlesque adventures of Adèle Blanc-Sec.

He loves this time at the end of the 19th century. This disastrous wandering, this time leads a emaciated old man, at the end of his life, for a last singular tribute to an emblematic place in the Père-Lachaise cemetery.

A sort of ultimate homage or ultimate outrage! It is only in the last plates that the purpose of this last meditation will be revealed to us.

We of course all think of this emblematic place, the Mur des Fédérés; well no! Jacques Tardi guides our steps towards Avenue de la Chapelle. This is where the imposing mausoleum of Adolphe Thiers stands.

It is in this place that he orders an improbable posthumous meeting between his character, twenty years old during the bloody repression of the Communards, and Adolphe.

His character undertakes a final journey to address the executioner of the Commune of 1871, a final gesture of rage.

How can we forget the terrible battles of Bloody Week and its massacres ordered by Thiers?

His character saw all these men, women and children, shot, buried in the common grave, that of common mortals. He has encountered some of them and some, he cannot erase them from his memory in the face of this insolent monument.

Tardi's black and white line is powerful. No frills, the drawing is precise. The sobriety fits perfectly with the place, contrasting with the mischievous eyes of Death and the mocking crows. Humor and irony emerge from his angry pencil.

Dominique Sureau (UCL Angers)

Jacques Tardi, 20 years old in May 1871, Martin De Halleux, 19.90 euros.

https://www.unioncommunistelibertaire.org/?Lire-Jacques-Tardi-20-ans-en-mai-1871
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